Interconnect

What’s that on your head?

TV presenter Steve McDonnell was going bald. He tried to improve matters. He did not succeed

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

My next grand plan was a wig made of real hair. A make-up assistant at work recommended a theatrical wig-makers in London. I rang them and they said the minimum cost was £650. I decided to turn to my boss. ‘Dear Clive,’ I typed, ‘since I appear regularly on your screen, and do not wish to put over an artificial nylon image that might let down the company’s reputation, could you possibly give me a cheque for £650?’ Back came the reply: ‘Don’t be stupid, just stop appearing on screen.’

Outrageous, I spluttered to myself. Without my face on it, the programme’s popularity would plunge (OK, regional popularity). I tried again. ‘Dear Clive,’ I wrote, ‘I am assured that this will not be just any old wig. It will be made from real Croatian hair and a team of seamstresses will spend literally weeks shaping it to perfection.’ (This is what the wig people told me. And what if they did salvage the hair from slaughtered East Europeans? If it’s a good match, I thought, I’ll take it.) No reply.

I was irritated. ‘Dear Clive,’ I wrote again, ‘I have given you the best hairs of my life and now you won’t even buy me a wig.’ Back came the memo with a handwritten scrawl: ‘OK, you win.’

I took the first train to London and a taxi to the wig-makers. A somewhat fey young man sat me down. ‘Did I want to keep it on full-time?’

‘No,’ I said, thinking of all that embarrassment. ‘Only when I’m on screen.’ ‘In that case,’ he said, ‘we’ll do a super hairpiece that can be fitted and removed within a minute, and all you need do is comb it in to the real hair on the back of your head. No one will spot the join. And that tuft at the front will also be useful.’

‘You’ve seen my work on telly,’ he said, with more than a hint of pride. ‘That’s if you’ve ever watched Dame Edna.’ I waited for the smile that would confirm his sense of humour. No smile. ‘Don’t worry,’ he said. ‘When you came here today, how many people did you see wearing wigs?’

‘None,’ I said.

‘Nonsense. I suspect you saw at least ten, but the point is, they looked utterly real.’ I wondered why he didn’t make a wig for himself. He was a young man, but three-quarters of his pate was bald except for a little swept-back quiff. ‘You see this quiff?’ he said. ‘It’s a hairpiece. Isn’t it perfect?’

‘Next,’ he said, ‘we must decide on the colour ratio.’ Colour ratio? Yes, the percentage of white hairs. He suggested 20 per cent white to 80 per cent black, which shocked me. I would have put the original white at no more than 2 or 3 per cent.

‘Oh no,’ he insisted, ‘look at the back of your head, much more than that — what about 15 per cent?’

What on earth was happening? First a malignant tumour, then an operation, then grief, stress and worry among all my family, and now …I find myself bartering with a theatrical wig-maker about the amount of white in my hair.

We settled on 8 per cent. It took two fittings and 12 weeks before the call came to come and collect.

As soon as I looked in their mirror I knew it was wrong. It looked nothing like me. But of course I told him I was delighted and decided to wear it home. I was hoping for a little excitement from long-suffering Philippa, and I got it. Opening the front door, she gasped. ‘What on earth have you got on your head?’

I reminded her it was only for filming, and she said she didn’t care as long as I never, ever wore it in the house.

One other thing happened. I had been half offered a job at another TV station, and the editor asked to see me, not at the office but at a pub between our homes. On went the wig. The interview was all right, but I found myself thinking throughout, does he know it’s a wig? Please, no. If he does I’ll never get the job.

He didn’t know, I realised the next day. I was on a train to London, and wigless, when I felt that someone diagonally opposite was staring at me. It was him and he looked …well, surprised and uncomfortable.

Needless to say, I didn’t get the job, and the Croatian wig has joined its nylon predecessor in the dressing-up box.

Incidentally, the radiotherapy was pointless. The tumour grew back and I had a second operation. But that went well and the remaining hair is long enough for my barber to sculpt around the Cornish coastline and feign a full head of hair. And, except in high winds, I am a happy man.

Steve McDonnell is editor of current affairs at ITV Meridian.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in