Laurence Fox

Laurence Fox’s diary: On being married to a WOP

Plus: Working with Donald Whately, and why I love my drummer

Laurence Fox with his 'WOP', Billie Piper Photo: Getty

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The day after press night at the theatre, I find myself standing in the rain smoking, bare feet going numb, engaging in what my agent refers to as google-wanking: the reading of your own reviews. Here, surely, I say to myself, will be some praise for my latest piece of face-pulling. I’m ready, I think: I deserve my moment in the sun. As my eyes scan the page I feel hope fading. Next time, next time. As I turn to come back in, my eldest sticks his face against the kitchen window, smiling and making ridiculous faces at me. My mood improves dramatically. What sort of ridiculous person am I to care what someone I don’t know thinks about my ability to pretend to be someone I’m not?

Someone once said that you could judge a society by how it treats its prisoners. Apologies for nicking the idea, but nowadays I think you should also judge a society by how it cares for its elderly, and having witnessed up close and personal the shocking disregard for the most vulnerable in society recently, I am appalled. Must do better.

I have several friends who, like me, are married to women who are better-looking, smarter and more influential than we are. Well, now we’ve decided to strike back. After much discussion we have labelled our wives WOPs (women of power) and when we feel that they are taking us for granted we begin the chant, WOP WOP WOP WOP in pathetic emasculated unison. In return, our partners, after a short chat, have retaliated by labelling us CIJs (cocks in jars) — the idea being that our poor little manhoods are stored in jars by the bed, on the WOP side of the bed of course. The weakest of us have become CABIJs, pronounced cabbages (cocks and balls in jars) and for the real slugs of our group, those nodding like terriers at every command from their WOP, is reserved the final insult: ‘Pickled CABIJ.’ I need not explain more, or at all probably.

Off to Rotterdam to play at the Songbird festival. I tried to keep the crowd onside between songs by taking the piss out of my drummer, the unflappable and wonderful Greg. After the gig, I ask him if he minds. ‘Not at all mate,’ he says gently. The following morning I woke up near the bed, fully dressed. The room is hot. My head — it hurts. In moments such as this, I like to think of churches and harvest festivals and things that are wholesome and pure to keep the nagging fear that a hangover brings at bay. There is a knock at the door. Greg stands smiling before me in the hotel corridor, naked. He calmly hands me a fizzing remedy of some kind and walks off back to his room with a gentle ‘Morning mate!’ thrown back over his shoulder. I love Greg.

Laurence Fox appears in the television series Lewis, as well as in the films Gosford Park, Becoming Jane and Elizabeth: the Golden Age. His first album is out later this year.

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