Helen Barrett

Abstract and concrete: the beauty of brutalism

Our modernist architecture is increasingly at risk, and we should cherish it more than we do, say Owen Hatherley and Nicholas Kenyon

Modernism for the wealthy: ‘The Barbican operates alongside the existing city, not as part of it.’ Looking up at the corner of one of the low-level residential blocks. [Getty Images]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in