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Victorian hand-cutters would, on a whim, include pieces in the shapes of animals, flowers or toys. These became known as ‘Whimsies’ – oh, the tweedom of it! In the heyday of the jigsaw puzzle, between 1924 and 1939, the Great Western Railway alone sold more than a million puzzles. In the US sales of five-cent cardboard puzzles topped a million a week.
The British Jigsaw Puzzle Library (current membership about 400 – stock of puzzles 3,500) has flourished in various forms since 1932, and has included among its members Clem Attlee and Her Majesty the Queen. Until really quite recently, no country-house party was complete without a puzzle on a table in the drawing-room for the guests’ amusement. The formidable talents of Mrs Enid Stocken, who started to hand-cut wooden puzzles in 1915 (to raise money for the wounded of the first world war) using a treadle scroll saw, kept the families of Gloucestershire amused until her death in 1983.
In the Nineties, a son of one of these Gloucestershire families, an accountant turned Houston banker called Kevin Wentworth Preston, returned to Tetbury where his mother was confined to a nursing home. (Ironically, it was converted from the very large country house in which she had grown up.) When asked what she needed, she declared that she was too blind to read and too arthritic to sew, and what she really wanted was ‘the jigsaw puzzles I had when I was a girl …proper wooden ones with pieces in them that were cut in recognisable shapes …not that frightful cardboard rubbish!’
Her son dutifully set out to find them, only to conclude that what was available was either extortionately expensive or of inferior quality. He bought them for her anyway. When she died, and the first thing the nurses begged for was her collection of puzzles, he had an idea. This was that modern manufacturing techniques must be available that would allow puzzles to be cut economically, quickly, accurately and intricately …and, above all, automatically. He always said that the development of the production system took him two and a half years only because he was an accountant. An engineer, he said, would have done it in six months.
The first puzzle he created was a ‘naughty puzzle’, featuring a female nude, with special pieces in the puzzle cut in shapes inspired by Alex Comfort’s The Joy of Sex. He received a call from one of the 30 or so people who actually bought this daft idea. It was from a woman who said, ‘I had to call you. I bought your puzzle for my husband, and he’s been sitting with a particular piece in his hand for ten minutes and he hasn’t a clue where to put it.’
The company Preston founded and called by his middle name, Wentworth, is now the largest manufacturer in the world of collectable wooden puzzles for grown-ups, and continues to supply the country houses of Gloucestershire (and elsewhere) with Victorian replica wooden puzzles. This time, though, the puzzle in the drawing-room is as likely to be of the interior of that very drawing-room, with the family in situ, as of Van Gogh’s ‘Sunflowers’ or Monet’s ‘Waterlilies’. Wentworth was founded on ‘The Personal Puzzle’.
We (for I am fortunate enough to be a director of Wentworth) create custom-made souvenir puzzles for heritage sites and visitor attractions in 15 countries, from the Louvre to Fort Worth. But my abiding astonishment is reserved for our 12,000 ‘club members’. Some of these enthusiasts really are the little old ladies of legend, but some are six foot tall, leather-clad, heavily tattooed Hell’s Angels, who spend 150 quid a time on our jigsaw puzzles. At a recent open day, I viewed with suspicion a couple of crusties (20
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