James Delingpole James Delingpole

Morpheus descending

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Anyway, because Sleep Clinic put bad thoughts into my head I had to whack myself out with a Zolpidem and I only ever take sleeping pills in extremis because I hate the way you spend the whole of the next day feeling slightly fuzzy and monged. And what did I get in return for my troubles? A programme that really was barely worth watching.

OK, so they’ve got access to the sleep disorder clinic at Papworth Hospital and people with all sorts of strange problems. In the opening episode, for example, we met a girl whose dreams were so vivid she kept waking up and giving her poor, half-asleep boyfriend orders like ‘get rid of all those ponies’. Then we met a man who, several times every night, made growling noises, or announced the weather, or spoke as if he was fitting someone up for a new jacket.

But I’ve just told you the only interesting part of the programme. Everything else was pure filler. As if aware that it wasn’t quite delivering, it insisted on compensating with an infuriatingly jaunty voiceover where, instead of having a pet the couple were described as having ‘a lovely little doggy’, and where, instead of taking medication, one of the patients was prescribed ‘tummy pills’. Can we not even watch medical documentaries now without being treated as if we are halfwits? Apparently not.

The Wild West — Custer’s Last Stand (BBC1, Friday) promised at the beginning that it was going to tell us something completely counterintuitive about the Battle of the Little Bighorn — that in fact General Custer’s tactics were quite sound and that he was on the verge of winning a major  victory.

After this, though, the programme quickly conceded that none of the historical facts remotely supported this thesis and settled down into telling the story, plain and simple, using talking heads, including a splendidly beautiful descendant of Sitting Bull called Ron His Horse Is Thunder and a bloodily realistic dramatic construction featuring a cast led by Toby Stephens as General Custer.

It must be an awful thing being led to certain death by an officer you realise is a total prat but whose orders you cannot disobey. Pity poor Mitch Bouyer, the scout who pointed out to Custer that the village he was about to attack was bigger than any he had seen in 30 years among the Indians, only to be completely ignored. At this point Bouyer started giving away his possessions because he knew he was going to die, as did all Custer’s Crow scouts, who began changing out of their white man’s clothing and back into redskin. Custer allowed them to escape, but not Bouyer who was hacked to death and quite possibly mutilated by Indians whom Sitting Bull had offered a 100-pony bounty for Bouyer’s head.

Gosh, they don’t half exert a grisly fascination, these stories about armies of white men being wiped out by native hordes. And they always seem to involve the same basic mistakes: assuming your enemy are stupid, useless savages; cockily dividing your force; failing to heed local, expert advice. I wonder how familiar Lord Chelmsford was with Custer’s story when he helped engineer our own Little Bighorn at Isandlwana only two and half years later.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in