Susie Mesure

Strange encounter: The Gospel of Orla, by Eoghan Walls, reviewed

When distraught teenage Orla embarks on a secret pilgrimage to her mother’s grave, she meets a ‘mad hairy’ man with miraculous powers

Eoghan Walls. [Courtesy of the author] 
issue 18 March 2023

It’s been two months since 14-year-old Orla’s mother died of cancer, and the girl isn’t coping. Neither is her father. While he self-medicates with booze, she plots her escape, to her aunt’s in Northern Ireland, where her mum is buried:

I am sad to go but it is time now and there is no point in hanging around any longer. I leave my phone under the pillow. I don’t leave a note because that is just for suicides. I don’t want to make them sadder than they will be anyway but I also don’t want them coming for me straight away.

We are plunged from the outset into Orla’s head and her anguish. 

Walls is a poet, who has translated Heidegger’s poetical works. In this debut novel, his punctuation-light approach to prose creates a raw stream of consciousness that neatly captures the angst of teenage grief and isolation. ‘Mostly they know I’m a mad dog and leave me alone. Suits me just fine,’ writes Orla about her supposed school friends, whose mothers make them invite her to their birthday parties but who post photos after a trip to the circus that leave her out – ‘As if I wasn’t there at all’.

She attempts her escape at night by bike, along the canals to Liverpool to catch the Belfast ferry. But a ‘mad hairy’ man in the bushes steps out, and both she and her bike end up in the canal. She is scared, but mostly cross, and after whipping out her Swiss Army knife, she asks his name: ‘Jesus. Jesus? Jesus bloody Jesus like the Jesus Jesus? He nods.’

And with that, the tale gets metaphysical. Jesus, who returns Orla’s bike, can bring animals back to life by blowing into their mouths. The catch is they burst into flames if they leave his orbit. Oh, and so will he if the sun’s rays hit his skin. This doesn’t stop Orla from upgrading her getaway plans to include Jesus, so he can raise her mum from her grave.

It sounds far-fetched, but Walls makes it work by keeping his foot on the narrative pedal as the two navigate the canal paths by night. While she waits for dusk, Orla finds that

the boredom is nearly as bad as the thirst. I have not spent so long without a phone since I was a kid. It is really hard to keep your thoughts under control without it. No telly nothing to shut out my own mind.

Although Orla longs to see her mother again, it is the girl herself who needs bringing back to life – something Walls manages in this poignant, hopeful, compelling little book that offers a window into a troubled teenage soul.

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