Martin Gayford

This radical Nativity is also one of the great whodunnits of art history

You can see the very birth of landscape painting in the Allendale Nativity

Religious awe combined with a sensuous pleasure in the beauty of the world: ‘The Adoration of the Shepherds’, 1505–10 by Giorgione, also known as the Allendale Nativity. [National Gallery of Art Washington DC]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in