What happened to the Rishi Sunak I knew at school?
A saga depicting three generations of the Trotta family, it opens at the battle of Solferino in 1859, where the first Trotta of the story saves the young Emperor Franz-Josef’s life. From that point on, the fate of the obsessively loyal Trottas is linked to the vast Empire itself.
Most of the story focuses on the grandson of the ‘Hero of Solferino’, Carl Joseph, who is haunted by the example of service shown by his grandfather and his father, both fanatical imperial servants. A decent, mediocre, patriotic lieutenant, he nevertheless feels overwhelmed by the permeation of the empire into every part of his experience. He is fated to die in the mud of 1914, ‘not with sword in hand, but with a couple of buckets of water’. Such irony and compassion underpin the whole work.
The novel is a remarkable piece of compression. Although relatively slim in size, it stands with Robert Musil’s The Man Without Qualities as a classic analysis of Austria-Hungary in all its vast scope. It ranges from the barrack towns of the eastern border to Vienna; from vivid and exact landscape descriptions to the staterooms of the aging Emperor himself.
English translations have been available before, but this one, by a seriously committed Rothian, Michael Hofmann, is a big event. Thanks to Granta, a recent string of Hofmann’s translations has given English-speakers the best chance ever to get a handle on Roth’s wider work. In his excellent introduction, Hofmann rightly emphasises the extent to which The Radetzky March is a maturing of Roth’s style. The earlier novels, such as Right and Left and Flight Without End, often bewilder readers with their formal restlessness; the sense, at times, that they have been roughly sketched out.
By contrast, The Radetzky March is, in Hofmann’s words, ‘done in oils’. The episodes unfold with unerring dramatic judgment, and the descriptive passages are both rich and exact. Roth is particularly good on faces, as in this episode on a train from Vienna, when the young Carl Joseph watches his sleeping father:
The myriad wrinkled bluish membranes of the closed eyelids trembled continually and faintly
Dune: Part Two is not a sequel but a continuation of Dune, so picks up exactly at the point you’d started to wonder if it would ever end. All I can remember from the first film is sand, sand, so much sand, and it must get everywhere, and into your sandwiches. But it is set
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