Book Reviews

Our reviews of the latest in literature

It’s a wonder that the Parthenon remains standing at all

We all have our own vision of the Parthenon. Lord Elgin, for one, seems to have treated it like Harrods. Hoping to decorate his Scottish stately home with the Marbles, he wrote long instructions to his agent: ‘The first on the list are the metopes, the bas-reliefs and the remains of the statues… Would it be permissible to speak of a Caryatid?’ The Greek gods must have thought not, because Elgin’s fortunes rapidly took a turn for the worse. He lost some of the Marbles in a shipwreck in 1802; was imprisoned in a French fortress by Napoleon; his wife had an affair with his best friend; and he lost

News from a small island: Theft, by Abdulrazak Gurnah, reviewed

In 2021, the award of the Nobel Prize in Literature made Abdulrazak Gurnah the world’s second-best-known Zanzibari – after a certain Farrokh Bulsara, aka Freddie Mercury. Forgive the flippant comparison, but the pop world’s perplexity over Queen’s vocalist’s origins feels germane to the quest for a coherent self and story undertaken by the Nobel laureate’s chief characters. Born in 1948, in what was still the ancient, British-protected sultanate of Zanzibar, Gurnah has, over 11 novels, done more than explore ‘the fate of the refugee in the gulf between cultures and continents’ (as the Nobel citation primly put it). His fiction shows that the shocks of power and history can make

Who’s the muse? In a Deep Blue Hour, by Peter Stamm, reviewed

The Swiss writer Peter Stamm’s fiction is often enigmatic – unreliable narrators, contradictory behaviour and characters who can’t admit to their emotions. In his latest novel, fortysomething Andrea is in Paris with her cameraman boyfriend Tom, attempting to make a documentary about a celebrated author 20 years older than herself. The subject, Richard Wechsler, appears to like Andrea, but isn’t enthusiastic about the film. His novels generally feature a muse to whom the male character frequently returns, and Andrea becomes obsessed with discovering if this relates to Wechsler’s life. At the same time, she is annoyed if Tom asks Wechsler similar personal questions. (Andrea is easily irritated, ending several relationships

What sea slugs can teach us about organ transplants

While they may be outnumbered and outweighed by insects, the terrestrial world is really the kingdom of the vertebrates. Mammals, birds, reptiles and amphibians dominate most ecosystems. Yet, as Drew Harvell points out in her fascinating new book, the seeming diversity of the terrestrial vertebrates is deceptive. In fact all are contained within just one of the 34 groups of animals that live on our planet, and their many designs are really variations on a quite narrow set of themes. This means that all share bilateral symmetry – heads with eyes and brains atop bodies with four limbs that contain their organs. By contrast, the other 33 groups of animals,

A cremation caper: Stealing Dad, by Sofka Zinovieff, reviewed

Sophocles’s Antigone is a battle over the burial of a body and the war between law and divinity. What rules – the decree of a king or conscience? This is the crux of Sofka Zinovieff’s Stealing Dad. When Alekos, a Greek sculptor, is struck down in 2018 by a heart attack and drowns in a London canal, he leaves behind not just a spiky widow, Heather, but seven children and five colourful ex-wives. The children find it hard to imagine that his death could be so mundane: more fitting would have been ‘swimming the Hellespont or shredded by sharks’. Alekos is a ‘Zorba-like figure’ whose selfishness has caused chaos: ‘the

Cooking up a storm of memories – Bee Wilson’s kitchenalia

When Bee Wilson’s husband abruptly called time on their 23-year marriage, she was left with a house full of memories embedded in the everyday objects around her. Two months after his departure, the heart-shaped tin of the title – in which she’d baked their wedding cake – clattered to the floor for no apparent reason. Symbolic or what? That leap inspired another, sending Wilson on a quest to explore our relationship to objects, specifically kitchenalia. After years of use, all possessions hold symbolic memories and actual DNA, and kitchen tools are handled more than most household items, from wooden spoons and cooking pans to salt shakers and china. And, she

Rafael Nadal: king of the orange brick court

Even the greatest have setbacks. It is how they respond that makes them great. Take your chances, forget the lapses. The triumvirate who ruled men’s tennis this century – Novak Djokovic, Rafael Nadal and Roger Federer – each won just 54 per cent of the points they played. It was about turning it on when it counted. No one could turn it on like Nadal on Parisian clay. The orange brick dust of Roland Garros on which he slid and scampered so well seemed to inspire the Spaniard with magical powers. From 19 visits to the French Open, he returned to Mallorca only five times without the Coupe des Mousquetaires

The complexities of the dawn chorus

‘Tawny owls,’ I tell friends and family, ‘can’t see in the dark any better than we can. So they memorise the whole wood! But they may be able to see sound,’ I burble. ‘And the Latin name for a blue tit is Cyanistes caeruleus obscurus: Heavenly hidden blue one!’ In Bird School, Adam Nicolson rejoices in the detailed stories of some of the birds on his farm in Sussex. Its precursor, The Seabird’s Cry, a love letter to a dozen species, soared over the coasts of Scotland, ablaze with sea light. The Sussex Weald on a dull spring dawn offers a claggier setting. Puffins seem more interesting than marsh tits.

Sam Leith

Anne Sebba: The Women’s Orchestra of Auschwitz

37 min listen

My guest on this week’s podcast is the historian Anne Sebba. In her new book The Women’s Orchestra of Auschwitz: A Story of Survival, Anne tells the story of how a ragtag group of women musicians formed in the shadow of Auschwitz’s crematoria. She tells me about the moral trade-offs, the friendships and enmities that formed, and what it meant to try to create music in a situation of unrelenting horror.

The satisfaction of making wine the hard way

You can learn a lot about a winemaker by tasting his wine. In The Accidental Connoisseur, Lawrence Osborne wrote of one wine that smelt of ‘simmering insanity’, reflecting the angry Italian who made it. I didn’t have quite such an extreme reaction to Peter Hahn’s Clos de la Meslerie Vouvray, but I did deduce that he was idealistic, determined, romantic, perhaps a little dogmatic, and given to certain esoteric beliefs. Having now read his book Angels in the Cellar, I can say that my deductions were mostly right. Hahn is an American whose career as an investment banker came to an end when he suffered a breakdown in the back

Alzheimer’s research is challenging enough without a data manipulation scandal

‘In science, truth always wins,’ said the molecular biologist Max Perutz. In 2022, Charles Piller, an investigative journalist for Science, published an article posing a new set of obstacles to Perutz’s truism. He revealed cases of fabricated data in the area of Alzheimer’s research, setting off a cascading set of consequences for the researchers involved and for the field more generally. Doctored details how the dossiers of evidence were compiled in the lead-up to the publication of that 2022 article and the subsequent fall out. The central character is Matthew Schrag, a scientist at Vanderbilt University, who provided the expert analysis for Piller. The book is centred on the developing

Whether adored or despised, Princess Diana is never forgotten

What happened to the condolence books? They swiftly multiplied, that mad week in September 1997. The original four at St James’s Palace had to be increased to more than 40. People queued for hours and often spent many minutes composing their contributions. That’s not even to mention the thousands of similar books organised by councils, embassies and private businesses. The official set were ‘offered’ to the Spencer family. Perhaps they are at Althorp. Edward White’s Dianaworld, about the phenomenon of the former Princess of Wales, shows an indefatigable resourcefulness. It is not really about the woman herself but about the effect she had on people who never laid eyes on

The mother of a mystery: Audition, by Katie Kitamura, reviewed

It is remarkable the web Katie Kitamura can spin around a scene as simple as a woman joining a man for lunch. His name is Xavier. We don’t know her name, but we do know she’s a successful actress. He’s beautiful, almost half her age, and she’s aware of how that must look to the other diners, the waiter hovering at her elbow, and her husband, who inexplicably enters after their food arrives before exiting in a hurry. She and Xavier had met two weeks earlier when he appeared at the theatre where she was rehearsing for a play and said he had something ‘complicated but important’ to tell her:

The Russian spies hiding in plain sight

In June 2022, Vladimir Putin tipped up at a party at the headquarters of Russia’s foreign intelligence service, the SVR. This was to mark, of all things, the centenary of the country’s programme of deep-cover spies, who live for years abroad under elaborate false identities while passing secrets back to their masters at home. The weirdness of that espionage hoopla, just four months after the invasion of Ukraine, leaves one wondering what other bizarre birthday events Putin might have in his diary. The 85th anniversary of the assassination of Leon Trotsky, perhaps? Ah, you can imagine the banter. The cracker hats. The roll-out noisemakers. Yet it’s not out of the

Orphans of war: Once the Deed is Done, by Rachel Seiffert, reviewed

In Rachel Seiffert’s searingly beautiful fifth novel, the author returns to Germany, 1945 – ground she previously explored in The Dark Room, her Man Booker-shortlisted debut. Once the Deed is Done opens with a boy, Benno, looking out of his window at night, having been woken by sirens from the munition works. Elsewhere in the town, Hanne and Gustav discover a runaway woman and young child sheltering in their shed. In the morning, the woman has fled, leaving just ‘the winter child’. Hanne decides to care for her, in secret, ‘because she was a child – just a child – left behind in this cold time… What else could she

Anselm Kiefer’s monstrous regiment of women

The visionary artist Anselm Kiefer has restlessly challenged and redefined recent German history and cultural shibboleths in an extraordinary body of work that spans more than six decades. Two months ago he turned 80, an anniversary marked by the staging of exhibitions from Amsterdam to the Ashmolean and the publication of this impressive study devoted to the notable women that thread their way through his work, endlessly shape-shifting. Women are to be found everywhere in Kieferland: haunting, teasing, beckoning, seducing; imperious, impassive, poetic and unknowable. There are martyrs, queens and heroines of the revolution, Brunhilde and the Valkyries, Madame de Stael and Marie-Antoinette. There are women from the Bible –

The love that conquered every barrier – including the Iron Curtain

In our age of cosmetic fantasy, a dramatic love story between two bespectacled art historians sounds implausible. But add in the Montague-Capulet effect of the Iron Curtain, along with a fearless Russian heroine who proved that love can conquer every barrier, and you have an enchanting tale: a completely true one, beautifully written by the art historian and novelist Iain Pears, the author of An Instance of the Fingerpost among many other books. Pears, who had been a pupil of Francis Haskell, began to visit his former tutor’s widow Larissa Salmina on a regular basis after 2000. He soon realised from odd remarks just how extraordinary their lives had been.

Sam Leith

Lamorna Ash: why are Gen Z turning to Christianity?

40 min listen

My guest on this week’s Book Club podcast is Lamorna Ash, author of Don’t Forget We’re Here Forever: A New Generation’s Search for Religion. She describes to me how a magazine piece about some young friends who made a dramatic conversion to Christianity turned into an investigation into the rise in faith among a generation that many assumed would be the most secular yet — and into a personal journey towards religious belief.