Books

The Book Club has taken a short summer break and will return in September. Until then, and ahead of the 85th anniversary of the start of World War Two, here’s an episode from the archives with the author Ian Sansom.  Recorded ahead of the 80th anniversary in 2019, Sam Leith talks to Ian about September 1, 1939, the W.H. Auden poem that marked the beginning of the war. Ian’s book is a ‘biography’ of the poem; they discuss how it showcases all that is best and worst in Auden’s work, how Auden first rewrote and then disowned it, and how Auden’s posthumous reputation has had some unlikely boosters in Richard Curtis and

My guest in this week’s Book Club podcast is Nathan Thrall, author of the Pulitzer Prize winning book A Day In The Life of Abed Salama – which uses the story of a terrible bus crash in the West Bank to describe in ground-up detail the day-to-day lives of Palestinians living under Israeli occupation. Speaking to me from Jerusalem, Nathan tells me why he believes it’s right to call Israel an ‘apartheid state’, how the bureaucracy of the Occupied Territories made the fatal crash ‘an accident that wasn’t an accident’; and what he thinks needs to change to bring hope of an end to the conflict. 

My guest on this week’s Book Club podcast is the writer and comedian David Baddiel, talking about his new book My Family: the Memoir. He talks about childhood trauma, what made him a comedian, and how describing in minute detail his mother’s decades long affair with a slightly crooked golfing memorabilia salesman is an act not of betrayal but of loving recuperation.

Sam Leith’s guest on this week’s Book Club is the writer and film director Neil Jordan, who joins the podcast to discuss his new book Amnesiac: A Memoir. He talks, among other things, about writing for the page and the screen, the uses of myth, putting words into the mouths of historical figures, seeing ghosts in aeroplanes, being ripped off by Harvey Weinstein, and failing to persuade Marlon Brando to play King Lear. 

My guest in this week’s Book Club podcast is Roger McGough, whose new The Collected Poems: 1959-2024 anthologises a poetic career 65 years long and counting. Roger tells me about revisiting his old work and making it new, why he’s ‘not being serious’ about the future of Poetry Please, and how he narrowly missed being on the Pyramid Stage at Glastonbury. 

My guest on this week’s Book Club podcast is Michael Nott, author of the new biography Thom Gunn: A Cool Queer Life. He tells me about the poet’s early trauma, his transatlantic identity, his unconventional family and his compartmentalised life, part teaching and writing, part sex, drugs and rock and roll. 

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins me on this week’s Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn’t what it used to be. Produced by Patrick Gibbons.

My guest on this week’s Book Club podcast is Mark Bostridge. In his new book In Pursuit of Love: The Search for Victor Hugo’s Daughter, Mark describes his quest to uncover the traces of Adele Hugo and the doomed love affair which cost her her sanity. He tells me how Adele’s story chimed in poignant ways with his own life and what it taught him about the unstable emotional contract between biographer and subject.

My guest in this week’s Book Club podcast is Marlon James, who ten years ago published his Booker Prize winning novel A Brief History of Seven Killings. He tells me how that remarkable book came about, how he feared it would be ‘my Satanic Verses’, what genre means to him, the importance of myth, and what he learned from the X-Men.

In this week’s Book Club podcast, my guest is the Booker Prize winning novelist Richard Flanagan, talking about his extraordinary new book Question 7. It weaves together memoir, reportage and the imaginative work of fiction. Flanagan collides his relationship with his war-traumatised father and his own near-death experience with the lives of H G Wells and Leo Szilard, the Tasmanian genocide and the bombing of Hiroshima. He talks to me about the work fiction can do, the intimate association of memory with shame, and the liberations and agonies of thinking of non-linear time.  

June 3rd marks the centenary of Franz Kafka’s death. To talk about this great writer’s peculiar style and lasting legacy, I’m joined by two of the world’s foremost Kafka scholars. Mark Harman has just translated, edited and annotated a new edition of Kafka’s Selected Stories, while Ross Benjamin is the translator of the first unexpurgated edition of Kafka’s Diaries. They tell me what they understand by ‘Kafkaesque’, the unique difficulties he presents in editing and translation, and the unstable relationship between his published works, his notebooks and his troubled life.  

My guest on this week’s Book Club podcast is Conn Iggulden, probably the best selling author of historical fiction of our day. This week Conn publishes Nero, the first in a new trilogy about the notorious Roman emperor. He tells me about how he learned to write historical fiction, his years-long path to overnight success, and the advantages (and disadvantages) of having an audience comprised of men who can’t seem to stop thinking about the Roman Empire.

A garden is a lovesome thing, God wot! On this week’s Book Club podcast I’m joined by Olivia Laing to talk about her new book The Garden Against Time: In Search of a Common Paradise. Olivia explores what it is we do when we make a garden, through her own experience of restoring the beautiful garden in her now home. She tells me about what gardens have meant in literary history and myth, how they have occluded certain real-world injustices even as they stand in for utopias, and why Candide‘s injunction cultiver notre jardin will always be an ambiguous one.  

This week, my guest on the Book Club podcast is the poet Jackie Kay, whose magnificent new book May Day combines elegy and celebration. She tells me about her adoptive parents – a communist trade unionist and a leading figure in CND – and growing up in a household where teenage rebellion could mean going to church. We also discuss her beginnings as a poet, her debt to Robbie Burns and Angela Davis and how grief itself can be a form of protest.