Home to mother: Long Island, by Colm Toibín, reviewed
Long Island starts with a bang — or rather, the results of one
Long Island starts with a bang — or rather, the results of one
When she first starts working as a security guard at the Guggenheim Museum in New York, Bianca Bosker is so bored that she prays someone will touch the art. ‘Do it, I urged silently from my spot by the wall. Do it so I can tell you not to.’ She’s to stand for hours on end, staring into space, reporting anything that could pose a threat. On the first day she radios her supervisors to alert them to a stray leaf: ‘Not exactly a suspicious package, but I needed something to interrupt the tedium.’ Wheedling your way into a self-contained world about which you know next to nothing is no
Jody Rosen lives and cycles in Brooklyn, which makes him what the Mexican essayist Julio Torri calls ‘a suicide apprentice’. He has been ‘rear-ended’ and ‘doored’ several times. He quotes an unnamed cyclist who likens the click of a car door being opened to the sound of a gun being cocked. ‘Get a bicycle,’ said Mark Twain. `You will not regret it, if you live.’ This rangy, digressive book contains just about the right amount of bicycle history and mechanics for the unobsessed. Rosen is not a bicycle fetishist. He can ‘barely patch an inner tube’, though he does enjoy the ticking-clock simplicity of the shiny contraptions which carry the
The subway shooter hated white people and was a very online loner
Robert Moses played the humble public servant, yet he despised the poor
When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local Hasidic Jews, and the wigs worn by their wives, and the almost tubercular pallor of their children. I often wondered how such a remote, aloof and archaic sect could possibly relate to 21st-century London. The answer, of course, was that they didn’t: they were like ghosts from another age, walking the same streets but not of this world. I wished I could get a glimpse of their private lives — and now, thanks to Unorthodox (Netflix), we all can. Loosely based on a memoir by Deborah Feldman, it tells the