Chaucer

The medieval trope that Jews are inherently bloodthirsty has echoed down the ages. Forms of the blood libel have been disseminated ever since the myth emerged in England in the 12th century with claims that Christian children were being ritually murdered by Jews in re-enactments of the crucifixion of Jesus. In the aftermath of 7 October, Labour’s Rochdale by-election candidate Azhar Ali accused Israel of lowering its defences so that it could justify the shedding of innocent Palestinian blood. Gigi Hadid, the American model, shared a video which alleged that Israel is harvesting the organs of Palestinians. The International Criminal Court’s pursuit of arrest warrants for the Israeli Prime Minister

In an essay for Prospect a few years back the writer Leo Benedictus noticed how many contemporary novels used what he called a ‘hindered’ narrator: that is, a protagonist (often a child) whose partial understanding of their world forces us to read between the lines. Unreliable narrators set out to deceive. By contrast, hindered narrators — such as the trapped five-year-old in Emma Donoghue’s Room — genuinely believe what they tell you: it’s all they know. As in Room, a hindered narrator can supply drama and pathos, but it’s handy for farce, too, as Christopher Wilson knows well. He likes to write about science biting off more than it can