Noel Gallagher

Have the Gallaghers suffered from ‘naked classism’?

Though I’d never read any books about Oasis before this one, I’d have bet it would be impossible to write boringly about the band – for two reasons: namely Noel and Liam Gallagher. As the most entertaining men in music, the former could be talking to a goldfish and still end up riffing in an entirely fresh, witty and profound way, while the latter is probably the greatest natural clown since Buster Keaton. I’ll put my cards on the table and admit that I’ve got a chronic crush on Noel. When I interviewed him for the Sunday Times nearly ten years ago, the simpering, gushing and giggling on the tape

Why is the National Portrait Gallery’s collection so poor?

The recent announcement that the National Portrait Gallery has purchased two works by Sonia Boyce and Hew Locke for its collection came as something of a shock. The surprise? The art was actually good. Boyce’s quarterised collage ‘From Someone Else’s Fear Fantasy (A Case Of Mistaken Identity? Well This Is No Bed Of Roses) To Metamorphosis’ (1987), reminiscent of an enlarged and doodled upon set of passport photographs is a complex work of art made better the more attention you give it; Locke’s maximalist approach with the bust ‘Souvenir 17 (Albert Edward, Prince of Wales)’ (2024) may not be to everyone’s taste, but his sculpture is full of humour and