Violin concertos

Violin concertos from two Broadway legends

Grade: B+ The 20th century, eh? What a lark that was. Vladimir Dukelsky studied in Kiev under Glière and looked set to be one of the smarter Russian composers of his generation. He even wrote a ballet for Diaghilev. Then communism happened and Dukelsky ended up in the USA where to the bemusement of his friend Prokofiev he reinvented himself as Vernon Duke, Broadway songsmith. ‘Autumn in New York’ and ‘Taking a Chance on Love’ are both by Duke; classic Americana by way of Tsarist Ukraine.  Duke’s Violin Concerto (1943) is recorded here alongside the 1941 concerto by Robert Russell Bennett – better known as the king of Broadway orchestrators;

From bad joke to 21st-century classic: the best recordings of Korngold’s Violin Concerto

Erich Korngold was what you might call an early adopter. As a child prodigy in Habsburg Vienna, he’d astonished the world: a schoolboy composing orchestral scores that made Elektra sound tame. Jump ahead three decades, and Korngold, in his fashion, was still ahead of the curve. He was one of the first residents of Toluca Lake, North Hollywood, to buy a television. There wasn’t much to watch in 1947, but (according to Korngold’s biographer Brendan Carroll) Jascha Heifetz would drive over anyway from Beverly Hills, and the two exiles — the former protégé of Gustav Mahler, and the greatest violinist on earth — would sit there glued to the live