Writing

You might have noticed the numerous glowing pieces by friends of Salman Rushdie about their ‘brave’ and ‘brilliant’ friend. I too would like to write a glowing piece about my brave and brilliant friend Salman Rushdie, but there’s one little problem: I’m not a friend of his. In fact I don’t have any famous novelist friends. I used to. There was the occasional lunch with Nick Hornby and the odd debauched evening with Will Self. I’ve drunk whisky with Norman Mailer and smoked pot with Ken Kesey, author of One Flew Over the Cuckoo’s Nest. (And I have a lovely thank-you letter from Edward St Aubyn – does that count?)

In the grim locked-down winter of 2021, I drove three hours to Wales where I sat in an isolated cottage and wrestled with a memoir I could not figure out how to write. While I was there, my mother sent me a link to a two-page personal essay she’d published in a tiny but venerable magazine called the Literary Review of Canada. It was entitled ‘This Story is Mine’. After a preamble about feminism and #MeToo, she cuts to the chase: ‘In June 1964, a few weeks before my thirteenth birthday I was raped by a man old enough to be my father.’ My mother then went on to tell

Almost 100 years ago the writer Virginia Woolf advised women to find themselves a room of their own: a refuge away from the busy, crowding demands of life, where they could focus instead on themselves and write, think, be. At a time of austerity, when space is at an expensive premium and when post-pandemic empty nests have been re-occupied by returning offspring and spare rooms newly identified as shared office space, I have found an alternative sanctuary. For the past 20 years or so my refuge was my car, acquired with the first real money I ever earned as a writer. My Mini offered me an unconditional escape during the

I met a Canadian couple for lunch in Edinburgh. They were from Vancouver – he a judge, she an opera singer – and had won me at a charity auction. I do this several times a year. It’s a painless way of helping good causes. Of course it’s a very one-sided blind date: they know more about me than I do about them, at least to start with. But the conversation always flows easily and I’ve met some fascinating characters. After the lunch, a drink at Inspector Rebus’s favourite watering hole, the Oxford Bar, was part of the deal. It too has character to spare. Speaking of which, I also

We are always cautioned against comparing a modern political event with those that led up to the second world war. One can see the risk of hyperbole and slander. But as Vladimir ‘Inky Poops’ Putin re-invades Ukraine, he will be making such comparisons himself. His long and bitter address on Monday showed his taste, common in tyrants, for historical disquisitions designed to turn grievance into aggression. He lambasted the foolishness of the Soviet leadership in the 1920s and 1930s which had laid ‘a mine to destroy state immunity to the disease of nationalism’. With the collapse of the Soviet Union from 1989, he went on, this had led to the

There was something old school about P.J. O’Rourke, who died on Tuesday, something that felt like a leftover echo of the American Revolution. Visiting him in his ancient, low-ceilinged, clapboard farm-house in Sharon, New Hampshire, one half-expected Paul Revere to burst breathlessly into the kitchen warning that the British were coming. Though he was by birth an Ohio boy, New England felt like the tweedy satirist’s natural environment — a pioneer sensibility that combined American impatience with the Old World with a nostalgic yearning for the oak-panelled values and certainties of yesteryear. Never quite a ‘gonzo’ journalist, his departure to the cigar bar in the sky nonetheless marks the end

I’ve been keeping a journal for nearly 60 years. There are piles of the damn things in archives and covered with shoeboxes on high closet shelves. I’ve never looked back at one word in them. Being a vain sinner, I’ve entertained the fantasy that others would but, as it seems I’m not going to be remembered as a national treasure, I must conclude the journals have served their purpose. This was to get me to write things down. The physical act of transcription forced me to place half-formed thoughts upon the paper, making them concrete; a delusion, or obsession became a fact, and, as such, could be addressed as independent

More than 200 non-US residents stood in the queue ahead of me. A grand total of four Homeland Security officers were on duty in the glass booths. I texted my ride to expect me in Arrivals in an hour, at best, and tried to compose the opener for my Spectator diary. I didn’t get far: after an early start in Cork, my long-haul flight from Heathrow to San Francisco and watching Christopher Nolan’s Tenet, my brain was scrambled eggs. Nearby, an elderly traveller fainted. The well-rehearsed response by the tired-looking staff suggested this is a daily, if not an hourly, occurrence. I read a few chapters of Donal Ryan’s novel

I’ve lived in Chelsea for the past 35 years. Since 2002, I’ve photographed everything I find interesting here — churches, streets, door knockers and pub signs, plus two old Chelsea pensioners chatting on a bench with their medal ribbons and rank pinned to their scarlet coats. I’ve recently finished my project and added these 1,800 photographs to the historical research I’ve done about Chelsea, which is now sitting safely on my bookshelf. My love of photography comes from my Uncle Jack. When he returned home at the war’s end, he had a Leica camera, which he got by trading his cigarette rations with an Italian civilian. He gave me his

One of the more encouraging developments of the past year and a half has been the number of us who, instead of turning to drink, have been turning to haiku. Haiku hashtags have been popping up on social media since the start of the pandemic. It turns out that 17 syllables in that classic five-seven-five formation are just what we need when we’re trying to express how we feel about these unsettling times. Facebook, Twitter, Instagram and the rest have proved to be the perfect medium for this short-form poetry. Of course, the quality is mixed. Some of the hashtags attract efforts that are less ‘narrow road to deep north’