Writing

A.A. Milne and the torturous task of writing

For those of us lucky enough to have been regular contributors to Punch magazine, April is a slightly crueller month than most, since it was on 8 April 32 years ago that the last edition collapsed, exhausted, on to the newspaper stands. By then it was way past its best, but in its day it had employed some of the very best brains in the business, led by some of the very best editors. I was lucky enough to be around when Alan Coren was in his prime. He led the magazine from the front, literally, and set a standard that the rest of us did our hardest to emulate,

Why I self-publish my books

Trying to publish a book used to be straightforward. You came up with an idea, spent months, if not years, writing it, then sent it off to an agent or publisher who rejected it by return. Life was simpler back then. We all knew where we were. Rejection wasn’t necessarily based on the quality of the work. Literature is a subjective business. Lord of the Flies earned William Golding 20 rejections. James Joyce, Jack Kerouac and Joseph Heller suffered similar fates. Marcel Proust was rejected so many times that he decided to pay for publication himself. The much-repeated industry statistic is between 1 and 2 per cent of manuscripts are