The latest book from Tracy Chevalier, author of 11 novels, including the bestselling Girl with a Pearl Earring, tells the captivating story of Orsola Rosso, whom we first encounter in 1486 as a young girl on Murano, the glassmakers’ island in the Venetian lagoon. Within a few pages, her father, the maestro at the family’s
Evie Wyld’s powerful fourth novel opens from the perspective of Max, a ghost who haunts the south London flat where he lived with his girlfriend Hannah. A ghost story is new ground for Wyld, the multi-award-winning Anglo-Australian writer, but her signature traits are immediately evident – poetic observations of unusual details; a pervasive sense of
‘Let me leave Cairn here as a trail marker, a moment noted, a view from the strange here-and-now,’ Kathleen Jamie states towards the end of the prologue to her exquisite new collection of writings. In more than 40 micro-essays and poems, her keen-eyed view encompasses both an uninhabited island far out at sea and a
‘The Cally’s named after an orphanage for kids from Scotland or some shit. Didn’t we learn that in school?’ So says Big Pharma (real name Devan Swaby), drill rapper from the Cally Active gang – one of the many characters populating Andrew O’Hagan’s vast and riveting Caledonian Road. The novel opens with a 59-strong cast
Louise Erdrich intrigues with her very first sentence: ‘My travels have become so focused on books and islands that the two have merged for me.’ She explores this integration in her astonishing account of her trips to the lakes and islands of Minnesota and Ontario, where ancient painted signs on rocks inspire her to perceive
Rita Bullwinkel’s knockout debut novel adopts the structure of the boxing tournament it vividly describes. Eight teenage girls are competing in the ‘Daughters of America Cup’ at Bob’s Boxing Palace, Reno. We encounter them in the ring as they progress through four opening rounds and two semis to the final. The author details the exhilarating,
Anne Carson, the celebrated Canadian-American poet, essayist and classical translator, is notoriously reticent about her work. She agreed to just these three sentences appearing on the cover of her first book in eight years: Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget’s Thesaurus, my dad,
Alan Garner is sitting in a high-backed leather porter’s chair right inside the hearth enclosure of an immense fireplace, with a chimney stack stretching up 27ft and a very strange-looking firepit. I duck under a beam to join him. He adds a log to the fire and says: ‘This firepit is made from a disused
This slender, gleaming novel depicts a day in the life of six astronauts at the International Space Station – but a day isn’t a day for a crew orbiting Earth at more than 17,000 miles an hour. Space ‘takes their 24 hours and throws 16 days and nights at them in return’. Weaving a line
Lauren Aimee Curtis, born in Sydney and recently named one of Granta’s Best of Young British Novelists, sets her intriguing second book on the Aeolian island of Salina in the late 19th century, when the arrival of phylloxera destroyed the island’s vines and economy, prompting mass emigration. These facts are easy to deduce, especially with
This compelling and unnerving collection of stories is Lawrence Osborne’s first, coming in the wake of recent critically acclaimed novels – including The Forgiven, adapted into a film – and earlier works of memoir, essays and travelogue. Born in England, currently residing in Bangkok, Osborne has earned comparisons with Graham Greene for his portraits of
Brotherless Night is the second novel by V.V. Ganeshananthan, an American writer of Sri Lankan Tamil descent, whose debut, Love Marriage, was longlisted for the Women’s Prize for Fiction in 2008. Here, as in her previous book, a female narrator unpicks the lives of a Sri Lankan family torn apart by civil war. Sashi’s reason
Having established a name for herself as a talented art critic for the national press, Chloë Ashby employs her expertise with illuminating effect in her fiction. In her first novel, Wet Paint, she used the uncomfortable gaze of the barmaid in Manet’s ‘A Bar at the Folies-Bergère’ to explore how her protagonist sees and is
The title of Amanda Craig’s enjoyable and provocative ninth novel might conjure the dancing trio in Botticelli’s ‘Primavera’ (which we visit in the book, set in Tuscany); but the three graces here are Ruth, Diana and Marta, elderly expat friends who meet for weekly gossips over coffee, ‘united by age, exile, the love of dogs
21 min listen
This week: Michela Wrong asks whether anywhere is safe for Kagame’s critics (00:58), Emily Rhodes charts the rise of fake libraries (07:54), and Cindy Yu reviews a new exhibition at the British Museum on China’s hidden century (15:25). Produced and presented by Oscar Edmondson.
31 min listen
This week: Prince Harry has taken the stand to give evidence in the Mirror Group phone hacking trial which The Spectator’s deputy editor Freddy Gray talks about in his cover piece for the magazine. He is joined by Patrick Jephson, former private secretary to Princess Diana, to discuss whether Harry’s ‘suicide mission’ against the press is ill-advised.
There is a growing fashion for fake books. Not fake as in written by a series of AI prompts, but fake as in things – cleverly painted empty boxes, or a façade of spines glued to a wall – designed to mislead the casual onlooker into thinking that they are books. A recent New York
19 min listen
This week: Max Jeffery reads his letter from Abu Dhabi where he visited the International Defence Exhibition (00:56), Emily Rhodes discusses the tyranny of World Book Day (05:59), and Daisy Dunn tells us about the mysterious world of the Minoans (10:22). Produced and presented by Oscar Edmondson.
‘Dear parents, a reminder that we are dressing up for World Book Day! Don’t forget your child should come to school in costume as their favourite character tomorrow…’ It’s the email every parent dreads receiving. (Or one of them, anyway.) It tends to be opened at eight o’clock the evening before World Book Day, to
In this arresting debut novel we follow 26-year-old Eve as she tries to come to terms with the loss of her best friend Grace. Flashbacks punctuate the present day of Eve’s London life, gradually revealing her role in the grim circumstances of Grace’s death. Eve lives in a flatshare with a patronisingly well-meaning couple who
