Near our house on the Derbyshire-Staffordshire border is a place called Wolf Edge. It is a raven-haunted slope set to the sounds of curlew song in high spring and I visit it regularly, not least because I imagine that within the deep peat soil there is some remembrance of the site’s eponymous predator, and the
Oxford and Cambridge have many rivalries, but espionage has always been a one-sided contest between the two. Burgess, Maclean, Philby, Blunt and Cairncross were all Cambridge men. If this were put in Boat Race terms, Cambridge would have rowed halfway to Hammersmith Bridge before the dark blues had their blades in the water. Charles Beaumont’s
This novel, set towards the end of the first world war, is eerie and fanciful yet gruesomely down-to-earth. It features Laura Iven, formerly a nurse at the Front – awarded the Croix de Guerre in 1915 – and her brother Freddie, part of the Canadian Expeditionary Force sent to take Passchendaele Ridge in November 1917.
The St Brice’s Day Massacre? I must admit I hadn’t heard of this ‘most just extermination’ of Danes in Oxford at the instigation of King Aethelred the Unready in 1002, perhaps because the teaching of history in this country tends to kick off in 1066. You certainly don’t think of Oxford as a place that
Commentary on the young Romantics can be curiously puritanical. Not on saintly John Keats, who died too young to cause any trouble. But Byron and Shelley? Beastly to women, negligent as parents, destructive as friends, oblivious to their own privilege. Feminist observers tend to resemble the English visitors to Geneva in 1816 who borrowed telescopes
Those one-time hellraisers the Young British Artists are today more likely to be found making noise complaints to the local council than sliding down the bannisters at the Groucho Club. But in his part-historical, part-satirical, part-autobiographical debut novel Art, Peter Carty returns to their heyday as he charts the birth of the movement that shook
