Lionel Shriver is a columnist at The Spectator and author of We Need to Talk About Kevin, among other books.
Earlier this year I was a panellist for Any Questions, and a young man in the audience asked what could possibly be done to make it easier for Britons his age to buy currently unaffordable property. I said what none of my fellow panellists was foolish enough to venture on the radio: scarcity always raises
I was in New York while the smoke from Canadian wildfires filtered over the city for three days last week, and I took a guilty pleasure in the aesthetic thrill. Midday, the light assumed the roseate hue of sunset. A cloudless sky appeared overcast, and the ghostly sun was so occluded one could look straight
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This week: Lionel Shriver argues that we should rise up in our road rage (00:52), Ian Williams discusses the crackdown on China’s stand-up comics (09:42) and Matthew Dennison explains why we shouldn’t cancel Beatrix Potter (16:33). Produced by Seb Charleton & Natasha Feroze
Whether you’re more afraid of the forces of order or the forces of chaos is generally a matter of disposition. A natural anti-authoritarian who despises being told what to do – especially when told to do something stupid – I’m more horrified by excesses of order. Granted, my greater fear of the state may simply
After the media bigged up the expiration of America’s Covid-era Title 42, which enabled the US to block entries into the country, the anticipated stampede across the southern border doesn’t seem to have occurred. No worries, then? Behold the miracle of social adaptation. Before the handy illegal immigrant ejection seat was retired last week, illegal
I was asked on Tucker Carlson Tonight only once, while in New York about two years ago, and I turned the invitation from America’s most popular cable news commentator down. Did I worry that while discussing my previous Spectator column, I might put my foot in it? The subject of immigration is always a minefield.
23 min listen
This week: Sam Leith explains how he’s been keeping up friendships by playing online scrabble (00:55), Lionel Shriver questions Nike and Bud Light’s recent marketing strategy (06:52) and Angus Colwell reads his review of the V&A Dundee’s tartan exhibition (15:24).
In some quarters, American enterprise is alive and well. Established in 1929 to promote consumer protection, the conservative non-profit Consumers’ Research is launching the free service ‘Woke Alerts’, which texts subscribers news of companies ‘putting progressive activists and their dangerous agendas ahead of customers’. Using iconography reminiscent of adverts for those high-frequency plug-ins that ward
Manhattan district attorney Alvin Bragg’s indictment of an even more prominent fat man seems a big win for Donald Trump, regardless of how the case is decided. If convicted, Trump is a martyr, managing to portray himself once more as a persecuted Washington outsider, a status that’s quite a feat for a politician to retain
You’ll recall that I’ve railed for years against zero interest rates, which transplanted a cancerous marrow into the very bones of the financial system. Originally a novel emergency expedience to shore up a fiscal skeleton riddled with osteoporosis in 2008, effectively free money was allowed to persist for an improbable 14 years. Not to forget,
Look, I realise you don’t want to read this column. I’m unenthusiastic about writing it. For most of us, any mention of Covid triggers a deep aversion and desperation to flee. Even recalling the uncanny tranquillity of the first you-know-what – the blue skies, the blazing sunshine, the serene silence in once-bustling London – makes
North America’s Ecology and Evolutionary Biology Language Project has released yet another list of Bad Say. Scientists are to swap ‘male’ and ‘female’ for ‘sperm-producing’ and ‘egg-producing’ – as presumably most biologists are stuck in remedial learning and haven’t yet got to the chapter explaining that humans come in only two sexes. But rather than
After publishing 17 books, I’m no stranger to the publicity campaign. In my no-name days, my publicist would purr that my novel’s release would be ‘review-driven’ – which decodes: ‘We don’t plan to spend a sou on your doomed, inconsequential book.’ By contrast, as we’ve seen writ large with Prince Harry’s Spare, your volume can
24 min listen
On this week’s episode, Matthew Parris wonders what ‘winning’ in Ukraine really means (00:52), Lionel Shriver says she’s fighting her own war against words (08:43), and Gus Carter wonders whether it’s a good idea to reintroduce Bison into Britain (18:28).
The University of Washington technology department has banned the word ‘housekeeping’. Not because the ‘problematic’ noun is overtly ist (ableist, sexist, racist, ageist…; by now, you must know the ist list). No, because it ‘feels gendered’. Would that they’d simply banned housekeeping. I hate scrubbing the shower. This month, the University of Southern California’s School
25 min listen
This week: Lionel Shriver asks whether we are kidding ourselves over Ukraine (00:56), Theo Hobson discusses Martin Luther King and the demise of liberal Protestantism (09:28), and John Maier reads his review of Quentin Tarantino’s new book Cinema Speculation (18:11). Produced and presented by Oscar Edmondson.
Optimism can be surprisingly hilarious. In my last novel, two spouses agree to quit the planet once they’ve both turned 80, and the book explores a dozen possible outcomes of their pact. No chapter made me chuckle at the keyboard more than ‘Once Upon a Time in Lambeth’ – in which the couple don’t kill
We’re finishing the year by republishing our ten most popular articles from 2022. Here’s number seven: Lionel Shriver’s piece from March on fighting for your country. For many of us war voyeurs watching the news with a glass of sherry, admiration of the little-engine-that-could Ukrainian fighters is underwritten by unease. As families escape to safety,
’Tis indeed the season to be jolly. Over the holidays, we can all put our feet up to view a cracking remake of David and Goliath, ‘The Microscopic Nullity vs Winnie-the-Pooh’, in which a giant bear-like bully has been pushing around 1.4 billion people but cannot prevail against an opponent too tiny to be seen by
Over the years, I’ve received my share of green-ink author’s mail. You know, from folks who’ve discovered an exciting variety of textual special effects: lurid colours, freaky fonts, creative insertions of upper case, frenzies of inverted commas around standard vocabulary and lashings of exclamation marks. Calling these letters ‘fan mail’ would be a stretch. They
